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Title:Raga Jhinjhoti | Vidushi Dr. Ashwini Bhide Deshpande | Pati Devan Mahadev & Akhiya Unaso Laagi
Duration:16:22
Viewed:13,539
Published:23-10-2021
Source:Youtube

Splendid Rendition of Raag Jhinjhoti By Dr. Ashwini Bhide Deshpande. The music in this video is the original recording from the album 'Ashwini Bhide-Deshpande – Classical Vocal Vol. 2', released in 1996. 00:00 - Madhyalay Khayal : Pati Devan Mahadev 12:55 - Drut Khayal : Akhiya Unaso Laagi ______________________________________________________ Raga: Raga Jhinjhoti Taal: TeenTaal (Madhyalay,Drut) Composition: Pati Devan Mahadev Akhiya Unaso Laagi Composer: Pati Devan Mahadev : Aman Ali Khan ~ 'Amar' Akhiya Unaso Laagi : Mehboob Khan ~ 'Daras Piya' Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana Tanpura : Saniya Kulkarni Tabla: Pt. Vishwanath Shirodkar Harmonium: Seema Shirodkar ______________________________________________________ 📝Lyrics: ********** Pati Devan Mahadev ********** पति देवन महादेव शिव शंभू एक कर राख त्रिशूल एक डमरू | अंग बदंबर ओढे भस्म चढावे अमर पिया पतहु || ********** Akhiya Unaso Laagi ********** अखिया उनसो लागी मोरी आली अब लो नहीं आये | दरसपिया बिन जिया बेकल है किन सौतन बिरमाये || ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No Copyrights own.



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